February 2012
42 posts
English-language books spotted at Stockholm bookshop Alfa Antikvariat (but not bought because I fly budget airlines).
Feb 28th
6 notes
In between giving a guided tour at the Museum of Sketches in Lund and playing a concert in Malmo, I had time for a swift visit to the neo-medieval village of Hansaby. It’s a bizarre place. In the middle of windswept rural fields punctuated by wind turbines there’s suddenly — behind a sort of roofed stockade designed, it seems, to keep Tartars, Huns and other barbarians out...
Feb 26th
8 notes
Feb 25th
1 note
The Germans love trains, and — even better — tiny intricate models of the world with trains running through them. Like the Japanese, they’re otaku, hobbyists, fetishists. And, as Rosemarie Trockel once put it, “no one under the sun is more miserable than the man who has a fetish for a lady’s shoe and must make do with the whole woman”. Tiny German model...
Feb 25th
6 notes
Feb 23rd
“The Düsseldorfer Schauspielhaus was designed by the architect Bernhard Pfau and opened to the public in 1970,” says the theatre’s website, adding, correctly, that “it creates an exciting contrast with the nearby Drei Scheiben Hochhaus (Three Section Tower) by architect Fritz Eller”. The modernist, minimalist architecture (curvy, Jumbo-jetty) is...
Feb 23rd
6 notes
Feb 22nd
1 note
Two great, strange songs from Fanal III, released on the Sonig label in 2010. This is painter Kai Althoff’s musical project. The videos are by Brett Milspaw.
Feb 21st
3 notes
West Germany is understated, rich, safe, solid, serious, superlegitimate, Japanese (well, Immermannstrasse certainly is). I’m picking things up at Koenig in the Dusseldorf Kunsthalle, rather glad to be here after Belgium, listening to Toulouse Low Trax, aka Detlef from Kreidler, also the promoter of my show tomorrow evening at the Kunsthalle (Salon des Amateurs next door), also my dinner...
Feb 21st
1 note
Farewell Brussels, hallo Dusseldorf.
Feb 20th
Listen For those left dangling uncomfortably from the...
Feb 20th
1 note
Visiting the Jubelpark museums with artists Abel Auer and Dorota Jurczak, Sunday.
Feb 19th
2 notes
Finland: The Welfare Game is the latest national redesign proposal in the Solution series from Sternberg. Architects Martti Kalliala and Tuomas Toivonen (the latter currently building the new Helsinki sauna I mentioned the other day) are joined by writer and curator Jenna Sutela and a couple of anonymous insiders to suggest a few outlandish ideas for Finland’s future. Artwork is, as usual,...
Feb 18th
5 notes
Listen This, the 5th in a series of Emotional Lectures...
Feb 18th
2 notes
You touch down at the Atomium by throttling gently back on your jetpack, of course. This, after all, is the future as the past (specifically the 1958 World’s Fair) saw it. If you’re too cheap to fill your jetpack with hydroponic superfuel, you can always take the 51 tram instead. It’s modelled on the Higgs Boson. Or a big bosom. The first puzzle is finding the door. ...
Feb 17th
5 notes
For the non-believer, a church is a sequence of pleasingly eccentric information displays. This postcard of Kerk Sint-Jan-de-Doper in Brussels shows that its forecourt on the Begijnhof was once a car park featuring white Datsuns. The pegboard on which the church proudly mounts its postcard collection is a kind of proto-Tumblr page, locked with a physical key rather than a password. But no...
Feb 16th
13 notes
“The public sector is the sector with vision,” architect Rem Koolhaas is telling me over Skype, “and I think this is something that, for whatever reason, we haven’t had for a very long time. Compare Archigram in the UK to the Metabolists in Japan: in Europe similar ideas were doomed to remain unrealized; in Asia those very ideas were implemented by an industrial culture that...
Feb 16th
2 notes
Next month, as part of Helsinki’s status as Design Capital 2012, Marimekko launches a series of guerilla recreations — across Helsinki and online — of the Mari Village, a utopian project (and money sink) started in 1962 by Armi Ratia, the firm’s tough-yet-visionary founder. Marimekko’s own PR about what this will involve is vague, and doesn’t show any...
Feb 15th
13 notes
If we’re to believe British Eurosceptics, Brussels is the home of a scary authoritarian standardisation, a floppy paper fist heavy with regulations intent on crushing all character, variety and eccentricity out of the world. But evidence on the ground suggests quite the reverse. Take No Parking signs, for instance. The semi-fascistic (and yet infuriatingly liberal and anti-car)...
Feb 15th
4 notes
Feb 14th
9 notes
Feb 14th
1 note
I’m delighted to announce that the fifth in a series of Emotional Lectures by Momus will be delivered in Brussels on Saturday 18th February at 3pm at The Settlement, Bottelarij, Delaunoystraat 58, bus 11, 1080 Brussel (Molenbeek). The Emotional Lecture series is delivered by an academic paying tribute — he begins measured and objective, but becomes angry and personal — to a...
Feb 13th
1 note
The new edition of Mousse magazine is out, and in it you’ll find my essay about the Abbey Road webcam, which I became strangely fascinated with during December. I’d sit on my tatami mats in Osaka, watching London tourists line up in real time to reproduce the Abbey Road sleeve. Better yet, I’d catch the cam in the middle of the night, when nobody was there, the Beatles were...
Feb 13th
14 notes
In early March I’m being interviewed at the BBC’s new media centre in Salford by longtime ally Stuart Maconie for his Freakier Zone show on BBC 6 Music. The original idea was for me to talk about pieces of music that meant something to me, so I proposed — and they accepted — the idea of an all-Cage programme. 2012 is the centenary of Cage’s birth, but Cage is...
Feb 12th
4 notes
The very first gig I played was in a cinema, the Odeon on Clerk Street in Edinburgh. It was (and I’ve only just learned this, thanks to The Edinburgh Gig Archive) November 26th 1981. My band The Happy Family was only a couple of months old, formed from the remnants of angular janglepop legends Josef K. Because of Josef K’s legendary status, things happened rather rapidly and...
Feb 11th
6 notes
Trains olympic and theoretical.
Feb 11th
2 notes
Feb 11th
9 notes
Essay from Bruno Munari’s Design As Art, 1966.
Feb 11th
12 notes
Feb 9th
3 notes
Tropismes is a very good french-language bookshop in an arcade in the centre of Brussels. What I want to find in such a place is a serious experimental work, between fiction and documentary, by an angry artist who wants to challenge the terms not just of his medium, but of his society. A book which — behind a deceptively restrained, classical and generic cover — gives me access to...
Feb 9th
7 notes
Sometime in the next couple of weeks the March edition of Frieze will hit the streets with my Rem Koolhaas interview about his book (with Hans-Ulrich Obrist) Project Japan: Metabolism Talks. For those who want more depth on the Metabolist movement — as well as the rhythms of Rem’s nervous, precise, committed speaking style — this video of a recent Architectural Association...
Feb 8th
2 notes
My Poison Boyfriend album gets the retromania treatment in this week’s NME, which ranks it at 72 in a Great Lost Albums poll and gets Brett Anderson to write a blurb on it. The photo caption reads: “As passport photos go, at least this one had romance.” Which is odd, since the file photo they’ve run isn’t a passport photo. They asked me for a picture last week and...
Feb 8th
13 notes
Feb 7th
3 notes
Feb 6th
19 notes
At the Bozar bookshop I browsed through an excellent and funny children’s book called Le Nez by Olivier Douzou. It’s the story — told in language completely altered by nasal mucus — of a blocked nose which sets out with a band of similarly-blocked companions to find “the big handkerchief”. The book is visually very effective, set in Bodoni and illustrated...
Feb 5th
1 note
Feb 5th
8 notes
Brussels. So close to Paris on the train. And yet here snow lies on the ground. Signs of life in the inner city are almost exclusively muslim, and francophone. “Because of the cold you’ll find the fruits and vegetables inside the shop.” “I recognise no method of living that I know / I see only the basic materials I may use” David Sylvian, Red Guitar ...
Feb 4th
6 notes
Seeing this beautiful Suhrkamp edition of Walter Benjamin’s writings at the Jewish Museum in Le Marais yesterday rekindled in me a nostalgia not just for the time when my intellectual life was dominated by German-speaking Jews, but for a time (before I was born) when to be an intellectual was the most important and dignified thing you could do with your life. As Hannah Arendt says in a...
Feb 3rd
10 notes
Feb 3rd
1 note
This is a new book of essays by Haruomi Hosono entitled The Ambient Driver. I particularly like the design of the inside of the dust jacket.
Feb 2nd
11 notes
Feb 1st
6 notes
January 2012
37 posts
Jan 31st
2 notes